A Timeless Gordon Lightfoot Song: “Hover of Steel”
Canadian Singer/Songwriter Gordon Lightfoot is most popular for composing hits including “Nightfall”, “Wreck of the Edmund Fitzgerald”, “Joyful Highway”, “Early Morning Rain” and “In the event that You Could Read My Mind”. In a profession spreading over five decades, twenty studio collections and Morning Steel a few “best of”, “most prominent hits” or “Gord’s Gold” accumulations there is an unlimited well of lesser-known Gordon Lightfoot melodies which satisfy the high songwriting guidelines set by his notable hits. In this first of a progression of articles committed to this splendid musician’s not all that most noteworthy hits we will investigate “Hover of Steel” and look at what makes this piece so ageless and significant.
Recorded for Gordon Lightfoot’s advancement collection “Twilight” in 1974 the melody “Hover of Steel” speaks to another side of Lightfoot’s songwriting. While Gordon’s topic frequently includes love, lost love, nature, ventures, self-acknowledgment and so forth., “Hover of Steel” takes us to the downtown at Christmas time. Also, what we find isn’t actually what one hopes to hear during the Christmas season. Truly, there are a few “hints of the period” and there is snowfall and there are even references to Christmas morning and family treasures. Be that as it may, this specific “occasion tune” portrays what a few Christmases resemble in specific spots.
The tune’s wonderful opening highlights Lightfoot’s unmistakable finger-singling out acoustic guitar to the sound of a recorder blowing the tune of the melody’s approaching stanzas. The verses give the ideal state of mind to a Christmas melody as Lightfoot sings “High windows flickerin’ down through the day off. A period you know. Sights and hints of the individuals goin’ ’round, everyone’s in sync with the season.” However it doesn’t take long for the mind-set to move as Lightfoot keenly acquires us into one loft specific. The home of a “government assistance case” where Gordon noticed “the rodents go around like they own the place…”
So we wind up in the loft of a family battling on government assistance at Christmas time. Be that as it may, clearly the nearby neighbors aren’t having a simple time either. Lightfoot paints the image of the melody “Deck the Halls” getting through the dividers of “the level nearby where they yell throughout the day. She tips her gin bottle back till it’s gone. The youngster is solid. Seven days, a day they will remove it for they think pretty much the entirety of her negative behavior patterns.”
The tune’s last section finds the mother disclosing to her kid why their dad is in prison: “Your dad’s pride was his way to give and he’s serving three years for that reason…” before the tune settle by rehashing the initial refrain. As audience members we get ourselves somewhat staggered (for absence of a superior term) as we have recently been blessed to receive a snappy tune, a nearly “upbeat” mind-set, hints of the recorder (civility of wind-player Jack Zaza) and an occasion “vibe”. However these melodic “treats” are adjusted by the verses which paint an undeniable (and bleak) picture. Basically, Lightfoot has musically “deceived” us into pondering something genuine during the special seasons.
By taking fair and genuine topic and comparing it against a peppy, upbeat or “positive” song Gordon Lightfoot can send Circle of Steel’s not kidding and serious message and make the audience really appreciate getting it. Next time you consider copying a Christmas “blend” CD consider including “Hover of Steel.” This tune’s message is significant, genuine, all inclusive and would definitely cause anyone (with a spirit) to take delay. The way to incredible songwriting…